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The people around Drew Silvaggio judge time in Nutcrackers. Something happened five Nutcrackers ago, or 10, or 20, or even 31. Civic Ballet’s annual production of the traditional holiday ballet spans more than three decades, and company member Jackie Lee has been in every single one of them. It’s a tradition, and not just for families who annually don their Christmas attire and make the pilgrimage to the PAC. It’s a tradition for the dancers who sigh, “not another Nutcracker,” in September and by the ballet’s Dec. 12 opening are utterly absorbed in a world of valiant nutcracker soldiers, beneficent sugar plum fairies, and naughty mice.
It’s a struggle to keep the performance fresh each year, particularly as this is Silvaggio’s sixth year choreographing the ballet. But he doesn’t rely on last year’s choreography. Instead, each year he recreates the entire production.
“As far as a piece of work, The Nutcracker is done. You have a set cast of characters. You have a set story,” he admitted. “But anything within that boundary you can really fuck with. That’s what’s really kept me sane all these years.”
Not every dance company creates a new ballet year after year. When the San Francisco Ballet meets to begin rehearsals for the holiday show, they start by watching last year’s video.
Silvaggio also insists on rotating company members through new roles, which makes casting his 30 company members, 49 supporting dancers, and eight guest dancers a weeklong effort rife with mental acrobatics.
“If I wanted them to be a tree in act one, they would ask no questions,” Silvaggio said affectionately of his dancers. “I feel like dancers that have to learn something that someone else did, they don’t really have that ownership over the role.”
When it comes time to cast the main role, Clara, Silvaggio looks outside his company. His Clara must be between 9 and 15 years old. Surprisingly, how well the ballerinas dance isn’t necessarily foremost in Silvaggio’s mind when casting. If a girl is auditioning, in all likelihood she’s a proficient dancer. But there’s a second element to the audition, when Silvaggio gives each dancer a nutcracker and watches her emotional and physical reaction. The dancer who disinterestedly casts the doll aside is simply not meant to dance the role of Clara.