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The making of the Newtie 

A photo essay captures artisans hot at work

click to enlarge Finished wax piece with examples of bronze ingots in the background. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Finished wax piece with examples of bronze ingots in the background.
- Uncoated and coated versions of the base of the bronze, alongside other customers’ pieces. Nine coatings of colloidal silica, refractory stucco flour, and refractory sand are coated onto the wax mold to create an inverse mold to hold the molten bronze. -  - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Uncoated and coated versions of the base of the bronze, alongside other customers’ pieces. Nine coatings of colloidal silica, refractory stucco flour, and refractory sand are coated onto the wax mold to create an inverse mold to hold the molten bronze.
Genesis Bronze of Paso Robles was tasked with creating the bronze beast that is the 2010 New Times Music Awards trophy. Thanks to efforts of five artisans and a 50-step manufacturing process, the first-place winners of the competition’s various divisions will be awarded a trophy worthy of their artistic talent. John Kemple, owner of Genesis Bronze, has finished 40,000 castings over 15 years. His talented staff includes wax technicians Lisa Johnson and Dorothy Boyle; Alan Baxter who did the technical sculpting and worked as main metal finisher; and Alphonso Sepeda, the patina expert who also helped Kemple with the casting. These images capture just a few of the steps that went into the creation of the award.

click to enlarge The molds are placed in an oven that melts away the wax and heats it to a temperature appropriate for pouring the molten bronze into. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • The molds are placed in an oven that melts away the wax and heats it to a temperature appropriate for pouring the molten bronze into.
click to enlarge John Kemple prepares the furnace to begin pouring bronze. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • John Kemple prepares the furnace to begin pouring bronze.
Steve E. Miller is New Times’ Staff Photographer. Send comments to semiller@newtimesslo.com.

click to enlarge Alphonso Sepeda, left, and John Kemple, right, prepare to pull out the crucible containing the molten bronze. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Alphonso Sepeda, left, and John Kemple, right, prepare to pull out the crucible containing the molten bronze.
click to enlarge The crucible is removed from the furnace. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • The crucible is removed from the furnace.

click to enlarge Liquid bronze fills the mold. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Liquid bronze fills the mold.
click to enlarge John Kemple sprays the mold with water to break away the plaster mixture from the bronze. This process can be done within minutes of pouring the molten metal into the mold. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • John Kemple sprays the mold with water to break away the plaster mixture from the bronze. This process can be done within minutes of pouring the molten metal into the mold.

click to enlarge An air hammer is used remove medium and large sized chunks of mold from the bronze. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • An air hammer is used remove medium and large sized chunks of mold from the bronze.
click to enlarge Alan Baxter welds the base of the bronze to the microphone figurine. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Alan Baxter welds the base of the bronze to the microphone figurine.

 

click to enlarge Baxter sands down one of the awards to prepare it for the patina. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Baxter sands down one of the awards to prepare it for the patina.
click to enlarge Baxter pours a secret chemical mix over the sculpture to create the patina. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • Baxter pours a secret chemical mix over the sculpture to create the patina.

 

click to enlarge The finishing touches to the patina include a chemical spray, heating, and a wax shine. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • The finishing touches to the patina include a chemical spray, heating, and a wax shine.
click to enlarge The final product. - PHOTO BY STEVE E. MILLER
  • PHOTO BY STEVE E. MILLER
  • The final product.

 

 

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