[ { "name": "Newsletter Promo", "id": "NewsletterPromo", "class": "inlineCenter", "insertPoint": "4", "component": "15264767", "requiredCountToDisplay": "0" }, { "name": "Ad - Medium Rectangle CC01 - 300x250 - Inline Content", "class": "inlineCenter", "insertPoint": "8", "component": "15582119", "requiredCountToDisplay": "12" },{ "name": "Ad - Medium Rectangle LC01 - 300x250 - Inline Content", "class": "inlineCenter", "insertPoint": "18", "component": "15582122", "requiredCountToDisplay": "22" },{ "name": "Ad - Medium Rectangle 9 - 300x250 - Inline Content", "class": "inlineCenter", "insertPoint": "28", "component": "15582121", "requiredCountToDisplay": "32" }]
What's it rated? R
When? 2023
Where's it showing? Peacock
Writer-director Jeff Nichols (Take Shelter, Mud, Midnight Special, Loving) helms this film based on Danny Lyon's 1968 book in which the college-educated photographer essentially embedded himself in the Midwestern motorcycle gang the Chicago Outlaws. Lyon's photo-rich book was inspired by Hunter S. Thompson's book Hell's Angels: A Strange and Terrible Saga. Nichols' film uses verbatim quotes Lyon collected for about 70 percent of its dialog.
This was a film I missed in the theaters, in part because I thought it would be a dumb glorification and exploitation of outlaw motorcycle culture, and after watching it on Peacock with my subscription, it is all that ... but more. It's got a charismatic cast including Austin Butler, Tom Hardy, Michael Shannon, and Jodie Comer, who plays Kathy, a "nice girl" who falls for Butler's Benny—a reckless free spirit. The story is mostly told from her perspective as she witnesses the motorcycle club (here called the Vandals) devolve into a criminal organization.
The film is filled with cool bikes, a cool '50s vibe, some great action sequences, and a creative exploration of a subculture that both fascinated and frightened America. Definitely worth a watch. (116 min.) Δ