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New Times / MusicThe following articles were printed from New Times [newtimesslo.com] - Volume 23, Issue 44
The real Nitty GrittyJohn McEuen plays for local non-profit Escuela del RioBY GLEN STARKEY
On Saturday, June 6, McEuen, his son’s band The Nathan McEuen Band, and special guest Chelsea Williams will all play the 4th Annual Benefit Concert for Escuela del Rio at Castoro Cellars Winery in Templeton beginning at 7 p.m. (Tickets are $30, available at Escuela del Rio; KMan Cycle and Run; Matt’s Music Stage and School; and through Castoro Cellars Tasting Room, by phone at 238-0725 or online at castorocellars.com). You really can’t overstate John McEuen’s contributions to American music. He’s the only California musician to perform solo on the Grand Ole Opry. He instigated what Rolling Stone (in 1972) called “the most important record to ever come out of Nashville” and what the 2004 ZAGAT survey called “the most important record in country music”: Will the Circle Be Unbroken. He’s made more than 40 albums (six solo) with 20 top 20 hits that have earned four platinum and five gold recognition awards, in addition to six Grammy nominations including a win in 2005 for Best Country Instrumental, CMA and ACM Awards, a Western Heritage Award, an Emmy nomination and an IBMA Record of the Year Award. I could go on. At Saturday’s concert, he’ll pass the torch to his son Nathan, who’s been finding his own musical niche and has performed locally at Monteleone’s Rock and the Hampton Inn and Suites. Nathan’s got two albums out, Grand Design and Festival, and Nathan has produced a compilation CD of local artists for the nonprofit group Peace Thru Music. Chelsea Williams has sold more than 40,000 CDs on her own in the last 16 months—not bad for an unsigned newcomer. In addition to the music, a barbecue will be available, and there’ll be some great raffle items including a Deering Banjo Company “Goodtime” banjo to be played and then autographed by John McEuen, and a one-of-a-kind guitar autographed by too many famous musicians to mention. Be a winner!
Mother’s Tavern is back with a vengeance this week with two awesome shows. First up, hip-hop sensation LMFAO plays on Friday, June 5 at 10:15 p.m. (21 and older; $25). “We’re definitely not a band that’s shy. We love to hear ourselves talk. We want to be seen as much as possible. We want to be so big that we can’t even walk down the street,” said Redfoo, the programming brain behind the electro-hip hop act, whose hits include “I’m In Miami Bitch,” “Lil’ Hipster Girl,” and “Yes.” Redfoo with his cohort (and nephew) Sky Blu have been blowing up the clubs, and in the last year they released three self-produced and self-distributed tracks that have become club favorites. They’ve also remixed Fergie’s “Clumsy,” Kanye West’s “Love Lockdown,” and Katy Perry’s “Hot ‘N’ Cold.” “It’s always better to have a party in your life,” said Redfoo. “Fun and laughter, the girls, dancing, celebrating. We want to feel the same way walking down the sidewalk as we do on stage.” Which is why they also have their clothing line, Party Rock, which is also the name of the first album. “Party Rock is the kind of record a band would make on their third album,” claimed Foo. “It’s gonna be our Thriller—it’s meant to take you away, to escape to this world of fun, dance, sex, craziness, do-what-you-want attitude. It’s our lives.”
“With the success we had with live music on Wednesday nights, we’re going to continue now that the Battle of the Bands is over, but we’re kicking it up to another level!” gushed Director of Entertainment and Media Johnny Kenny. “Mother’s Tavern and New Rock 107.3 are teaming up again to bring you ‘Big Wednesdays’: big bands, big cups, big drink specials, and big party.” Handsome Furs are touring in support of Face Control, an immediately engaging album whose metronomic eclectro-beats have a bit of a Peter Gabriel vibe. It’s technology meets soul-crushing emotion backed by reverberating fuzz-tone guitars. Kind of awesome! A $5 entry fee gets you a local opening band, Handsome Furs, and a 20 oz. cup. What’s cookin’, good lookin’? Downtown Brew has some good lookin’ shows this week starting with rap favorite Andre Nickatina on Thursday, June 4 (18-and-older; $18; 8 p.m.). The Bay Area MC is also known as Dre Dog, purportedly so named because of his scarred smirk, the result of a Daschund attack when he was 6 months old. He’s been at the club more times than I can count, which means the locals love him.
Hip-hop/jazz/rap favs the Crown City Rockers return to the club on Saturday, June 6 (all ages; $8 presale or $10 at the door; 7:30 p.m.) with Venomous Voices opening. Crown City is a genre-blending collective delivering funk-drenched grooves. More music… When it comes to a love for singer-songwriters, Steve Key is like their obsessed stalker! If he’s not going to see them, he’s creating venues for them to present their talents to the world. Key’s newest foray happens every Thursday at Santa Margarita’s The Porch, including Thursday, June 4 from 6:30 to 9:30 p.m. when Atascadero resident Richard Green will be the featured performer. Green recently released a terrific new album, Better Days, from which he’ll draw his set material. Siko takes the stage at the Mission Plaza from 5:30 to 7:30 p.m. on Friday, June 5, for the opening of the popular Concerts in the Plaza series. Beer and wine, music, dancing, SLOhemians—what more could you ask for? Speaking of The Porch, just back from his first time playing in Mississippi, guitarist Dorian Michael plays his first gig ever at the Santa Margarita venue on Friday, June 5 at 7 p.m. See what the Deep South has done to this musical chameleon. If you’re in the mood for a short drive south this weekend, you ought to think about stopping by the 5th Annual Los Olivos Jazz and Olive Festival on Saturday, June 6 from 1 to 4 p.m. The ticket for this event lets participants enjoy the culinary art of 30 “O’chefs,” taste the wonderful wines poured by 20 of the area’s wineries, watch cooking demonstrations by professional chefs, and hear live jazz performed by Stefan Karlsson, Bob Sheppard, Mark Ferber, Tom Warrington, and Larry Koonse. Tickets are only $40 and last year’s event drew 660 people. This year there will be a limit of 550 people, and those who are planning to attend are encouraged to purchase their tickets in advance by calling 325-2345.
The Painted Sky Concert (4111 Bridge St., Cambria) series presents an evening of acoustic Celtic music with Banshee in the Kitchen on Saturday, June 6 at 8 p.m. Featuring Brenda Hunter (fiddle, hammered dulcimer), Jill Egland (flute, accordion, whistle), and Mary Tulin (six- and twelve-string guitar, bouzouki)—this trio plays Celtic music with merry abandon. Tickets are $18 at Boo Boo’s, Cambria Business Center, or by calling 927-8330. Roots rockers The Cadillac Angels play the Frog and Peach on Saturday, June 6 at 10:30 p.m. Frontman Tony Balbinot just returned from performing at a big festival in the Netherlands. “You can check out some photos on our site cadillacangels.com,” mentioned Tony. “We played to about 5000 people! The Frog and Peach doesn’t hold that many, does it?” You know it doesn’t, smartarse! Birdie, which performs upbeat original music with positive lyrics that the entire family can enjoy, plays a CD release and fundraiser at the Avila Bay Club on Sunday, June 7, from 1 to 3 p.m. “We’re planning a wonderful afternoon of family music, fun for the kids, face painting, and a silent auction for the adults to raise money for Chris Stilwell and his family,” explained Teresa Gasca-Burk. “Chris was hit by a car while riding his bike in December of 2007. Since then he has had several surgeries and is still undergoing physical therapy.” A $5 donation (or $20 for families) is requested. The G. Roger Bailey Classical Guitar Scholarship Concert will be held on Sunday, June 7, at 2:30 p.m. when classical guitarist Reuben Westmoreland will be hosted by Los Osos’ St. Benedict’s Episcopal Church. Music from the Baroque and 20th century eras will be played. Tickets are $15 at the door. Westmoreland has been studying under Marilyn Blodget of Atascadero for the past six months, made possible in large part by the generous sponsorship of the Triada classical guitar trio, Edward Trybek, and David Isaacs—classical guitarists who have donated their time and talent to this scholarship in the past two years. The 35-member Cal Poly Arab Music Ensemble is a local treasure, performing traditional and contemporary music and dance from the Eastern Mediterranean and larger Middle East. This Sunday, June 7 at 7 p.m., they’ll play vocal and instrumental selections by some of the most popular composers and performers of Arab art music, including the eminent Mohammad Abdel Wahhab and Abdel Halim Hafez of Egypt, the legendary Fairouz of Lebanon, and the renowned Nazim Al-Ghazali of Iraq; in Cal Poly’s Spanos Theatre on campus. Guest artists on the program include the internationally celebrated master of Armenian dance Tom Bozigian, along with acclaimed oudist Viken Najarian, and clarinetist Ara Gholdoian. Tickets are $10 for the public and $8 for seniors and students. Call 756-2787. Dr. Mark Dyczkowski is both a scholar of Hindu Tantra and a practitioner. He’ll offer a talk, meditation, and Sitar concert at the Steynberg Gallery on Tuesday, June 9, at 7:30 p.m. (music starts at 9). The cost is $15—a small price to pay for spiritual enlightenment (spiritual enlightenment not guaranteed!).
Glen Starkey got rubbed the wrong way and went instead of came. Commiserate at gstarkey@newtimesslo.com.
Swedish producer Axel Willner arranges music for the discotheque in your head. Shimmering ethereal melodies align with mechanically precise, propulsive beats to offering you a soundtrack for mental nightclubbing. At its best—like the percussive euphoria of “Yesterday and Today”—Willner strengthens his own deep, throbbing sound with live instrumentation (joined here by Battles drummer John Stanier), erecting a rock platform beneath his electronic structure, and pulls the body rocking straight out of your bones. But it can also be reserved—like the 15-minute ‘80s noir track “Sequenced”—a unrelenting rhythm that plays out better in headphones, where your ears can capture all the synthesized percolation and understated layering. For Yesterday and Today, Willner’s The Field may have jumped to eclectic rock label ANTI- for its U.S. release, but its heart still beats to the minimal techno of his European label Kompakt. As a producer, songwriter, and musician, Allen Toussaint’s contribution and influence on American music is immeasurable. He’s touched everything from hits by Lee Dorsey and Dr. John, and shaped the sound of New Orleans’ R&B from his early assistance to Fats Domino to pushing the Meters out of their house band status to become legends for their instrumental funky soul. The Bright Mississippi follows 2006’s The River in Reverse, a duet collaboration with Elvis Costello. But here, Toussaint leaves aside the vocals for a dazzling dig into jazz standards filtered through a history of New Orleans’ swing, a musically tradition that outfits its funeral marches with a respectable groove. His assistance is all top players: Nicholas Payton’s warm trumpet blows allusions to “Summertime” on “A Dear Old Southland,” Don Byron channels Sydney Bechet’s flute vibrato on “Egyptian Fantasy,” and Toussaint sings us to a finish on “Long, Long Journey,” the album’s only vocals. A perfectly executed album of New Orleans cool with the geniality of a warm embrace. —Malik Miko Thorne, of Boo Boo Records and mikovision.blogspot.com, where you’ll find archived reviews and soundclips. |
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