New Times / Music
The following articles were printed from New Times [newtimesslo.com] - Volume 23, Issue 41
Folktastic femmesBlame Sally blows minds
By GLEN STARKEY
“The band has the songs, the chops, and the pipes to back up their tough-talking, clear-minded folk rock,” praised the Santa Cruz Sentinel.
“Collectively they create multihued sonic and emotional tapestries, recalling the artful romanticism of Jane Siberry, the rich folk harmonies of the Indigo Girls, and the percolating soulfulness of Joy of Cooking,” gushed the San Francisco Chronicle.
“One of the finest Americana bands in the country right now … like a folk-based U2,” lauded the San Diego Troubadour.
“Better than sensual massage after a hot tub soak while drinking champagne and being fed peeled grapes by a team of beautiful attendants,” said I.
After working their kiesters off touring and recording on their own, last year they inked a one-of-a-kind, five-year, three-album recording contract in the mid-six figures with Bay Area Opus Music Ventures. Their first album under the deal, Night of 1000 Stars, comes out this month.
The lovely ladies of Blame Sally will promote it locally with a CD release show on Saturday, May 16 at Downtown Brew (7 p.m.; $15 presale or $18 at the door).
Downtown Brew also has several other interesting shows this week:
What a drag! The men of Cal Poly fraternity Delta Lambda Phi present their 1st annual philanthropy drag show The Dollhouse on Thursday, May 14. A portion of the proceeds will be going to the Aids Support Network (ASN) of San Luis Obispo to help fund the prevention, education, and outreach that ASN provides to help stop the spread of HIV/AIDS on the Central Coast. There’ll be professional Drag Queens coming from all over. This 18-and-older show costs $10 advance or $12 at the door. Remember, this is a drag show, so men come dressed as Drag Queens and ladies come dressed as Drag Kings!
Reggae legends The Meditations will be joined by local reggae heroes The Shival Experience on Friday, May 15 (all-ages, 7:30 p.m.; $10 presale or $12 at the door). The Meditations—Ansel Cridland, Danny Clarke, and Winston Watson—recorded their first hit single “Woman Is Like a Shadow” in 1974 at Channel One Recording Studio in Jamaica, and they’ve been going strong ever since.
There’s more reggae on Sunday, May 17, when SOJA is joined by The Kicks for an all-ages, 7:30 p.m. show ($13 presale or $15 at the door). Following in the footsteps of Bad Brains, SOJA has risen to the forefront of the Washington, D.C. scene, “creating their own blend of conscious roots music entwined with the traditional rhythms of reggae.”
On Tuesday, May 19, local heroes Still Time will release their second full-length studio album, See America, to the public during a 7 p.m., 21-and-older show with opening act Truth and Salvage Company ($15 includes the new CD!). They were supposed to drop off a CD for me to listen to, but they didn’t. I blame their manager, who decided to vacation in Hawaii instead of promote his band at this crucial juncture in their career. What a tool!
Freestyle folk, world, and roots music legend Joe Craven will play the next Música Del Río House Concert, which should be amazing since the best way to see Craven is up close and personal. The musicologist and multi-instrumentalist is truly remarkable, and he seems to be able to make music with just about anything from a pickling jar to a credit card.
On Friday, May 15 at 8 p.m., Craven will be joined by bassist Sam Bevan, with whom he recently made a CD that should be available at the show.
According to concert organizer Fred Munroe, “We’ve known Joe Craven for many years and we still have very little understanding of how gravity can be used as an effective tool to keep him attached to the earth. It has been suggested this is somehow related to his anti-monochromatic wardrobe. If you find this discussion unrelated to Joe’s music, then it is imperative you attend this upcoming concert in our living room. Maybe, just maybe, you will understand.
“We’ve arranged with our mutual friend, Sam Bevan, to help translate Joe’s performance here via string bass,” continued Munroe. “While Sam is a fine, fine master of both the standup and electric bass (and we are delighted he is returning to Música Del Río), we are counting on him to lend an ever so slight hint of sanity to what is likely to otherwise be an evening on tilt.”
Call 466-6941 to secure your spot for this $15 show.
I’m not sure what Timo (aka—Tim Beckwith) taps into when he sings, but he’s clearly channeling some mystical force than guides his music. As the driving force behind Calinambe, a world music ensemble, Timo creates an otherworldly vibe that’s fascinating and stirring, which you can see for yourself on Saturday, May 16 at the Steynberg Gallery at 8 p.m. ($10 at the door).
On a side note, Timo also recently released his first solo album, Timo Solo.
“It’s taken me three years and many thousands of hours to produce this album,” he said. “It is truly the completion of a big life goal for me.
“It’s all me—all acoustic, no samples, all real time, done in multi-track. I also did all the recording, editing, engineering, mixing, and graphic image designing. All the masks in the graphics are my work too. An interesting aside is that a copy of the black and white mask seen on the disc and in four other places on the eco-wallet packaging was worn by Tyra Banks in John Singleton’s film Higher Learning. Rick Sutton did the very final mastering from my two track files and he did a super job. I counted the tracks the other day and in the nine pieces on the album there is a grand total of 93 tracks. The last song only has two so that makes 91 tracks into eight songs. I can’t perform it without cloning myself and as yet haven’t figured that one out.”
The album is for sale at Boo Boo Records and on cdbaby.com/cd/timbeckwith as well as download sites like itunes. You can also buy a copy at the show on Saturday.
Molly’s Revenge, that amazing Celtic band that’s based in Santa Cruz but boasts Los Osos musician Stuart Mason, returns to town on Thursday, May 21 at 7:30 p.m. in the SLO United Methodist Church ($15 advance at Boo Boo’s or mollysrevenge.com, or $20 at the door).
The concert, sponsored by KCBX Public Radio and Live Oak Music Festival, features the band’s classic combination of bagpipes, whistle, fiddle, and song, all set against a backdrop of guitar, bouzouki, and mandola.
They recently released their seventh full-length recording, The Western Shore, produced by John Doyle, a founding member of Irish supergroup Solas, with guest performers including percussionist Fraser Stone (Old Blind Dogs) and Moira Smiley (VOCO).
More music …
Modesto-based cover band Ode to Anthony plays the Frog and Peach on Thursday, May 14 from 8:30 to 11:30 p.m., playing everything from Jerry Lee Lewis and Ray Charles to AC/DC to Queen to Aerosmith.
Glen Starkey still smells like cheese, which is better than smelling like soup. Breathe in his Wisconsinny goodness at email@example.com.
Studying at Guildhall School of Music and Drama and being commissioned to write an orchestral piece for the London Philharmonic, 21-year-old Mica Levi offsets the rigors of academic training with her left-field alter-ego Micachu. Lifting inspiration from the UK’s thriving grime and garage scenes, she’s as comfortable looping beats and releasing her own grime mixtape as with the down-tuning of a viola. On her debut full-length, Jewellery, she reveals a dizzying set of hyperactive songs that fringe on noisy chaotic fun yet retain a remarkably listenable heart. “Lips” plunders a Bhangra guitar lick for its opening before its “garage rock meets circuit board freakout” chorus. The minute and a half “Floor” shows Micachu at her most reserved—her guitar and electronic, blip-filled backdrop that resembles her producer Matthew Herbert’s own work. If you can joyfully recall the sonic whimsy of the Fiery Furnances or the sneering jangle of the Fall, you may have a new friend in Micachu.
Yanking the title of Echo and the Bunnymen’s debut album as their moniker, Crocodiles floor their Delorean to 88 miles per hour and land into the heart of ’80s revivalism with plenty of lo-fi grit. Filled with echoing reverb, sheets of white noise, and the underlying bubblegum pop that fueled Jesus and Mary Chain albums, Crocodiles may have a strike against them from Reagan babies hesitant over mimicry. But out of the gate, Summer of Hate nails it with their first two songs, “I Wanna Kill” and “Soft Skull (In My Room),” a delicious bubble of pop swaddled in sonic gauze followed by a rocker woven from a ravel of pealing guitar. The stalking beat of “Flash of Light” refuses to die; it ends in a near two-minute long feedback loop, challenging even the diehard noise lover. A worthy addition to the new school of lo-fi retro rockers. ∆
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